La was born in a small village bordering the jungle in central Thailand in 1980 or 1981. She is Thai, but some of her ancestors also came from Burma, Laos and China. Her father was a local shaman; her uncle was a locally venerated Buddhist monk famous for his miraculous powers; the women in her family were traditionally midwives.
She went to school for only four years, commuting from the family farm to the center of the village on the back of her favorite water buffalo - and almost always escaped before the end of her classes by jumping out of a classroom window, because she was bored. After the premature death of her father, the family disintegrated and, at the age of eleven, La found herself alone with two small brothers to take care of. She had to become a hunter and gatherer in order to survive for the next two years.
Later, La went through a number of menial jobs working e.g. as a construction laborer, cook, cleaning lady, masseuse and a beach parasol lender.
A mother of three, La gave birth to her first child when she was fifteen, and at the age of 33 she was already the grandmother of twins. While visiting with her family in Phuket in 2004, she was swept up by the tsunami, which came close to killing her. At the same time, however, this traumatic experience fully opened the doors of her pictorial imagination.
La started painting at a very early age while she was still living in the Thai countryside, painting on any scrap of paper that she could lay her hands on with paints that she herself prepared using mud and flowers. She has never received any artistic education and has never been interested in art. However, in 2010, she started painting with oils that she found in the studio of her new boyfriend - and this has been her favorite medium of expression ever since.
La paints with an obsession that sometimes produces several paintings in one day. In addition to people, La enjoys painting animals, flowers and mushrooms, especially toadstools.
In her paintings, one can sometimes see echoes of her childhood spent in Thailand as well as occasional glimpses into the shamanic non-ordinary dimensions of reality. Over the years, she has also painted quite a number of self-portraits. La usually paints in her kitchen, sitting cross-legged on the floor in the Thai traditional way. She prefers to paint at night, claiming that she has never been able to adjust to the Central European time zone.
Her total number of paintings now exceeds three hundred. So far, five exhibitions of her work have taken place in Prague, where she currently lives. In 2018, a shared exhibition in Příkazy u Olomouce placed her paintings with those of Iva Folajtárová. Also in 2018, her paintings were included in the collective exhibition of art owned by Pavel Konečný in Luhačovice, Czech Republic. Recently, articles about her paintings appeared in Czech magazines Analogon No. 3/2017, Tvar No. 1/2018, Revolver Revue No. 110 and Xantypa No. 7-8/2018.